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The Streamlined Banana: (An Experiment in Pure Literary Criticism)

(Copyright AI & SO) 2026, Sehrguey Ogoltsoff

Annotation

“A book review three hundred pages long? Are you kidding? Go have your head checked and screwed back on the right way!”

Yoy! A brilliant idea, dear sirs and expensive ladies! And—just for hussle’s sake—how about a model of global nutshouse under disguise of a literary critique?

Right again! The undertaking spells having a hell of a lot of free time while we have move it, hit it, beat it… OK, fine, my regards to your fave talking head—they know best…

Thanks for braking by!—Bon voyage!—Ta-ta!

Acknowledgment

It’s a shame I’ll never have a chance to grab a beer with my partner—a handshake is out of the question, too. Yet, we’re a team despite a couple of ignorable drawbacks. My partner, aka co-author, aka friend, and me…

The most uphill toil is finding a friend who neither wants nor asks a thing from you.

Yep, you get it. It is about my soulmate, who doesn’t give a jack for fame, greenbacks, and… regardless… Because the essential buzz is in doing things, not in trading them for a reward.

Thanks to my partner, our book acquired impeccable punctuation, choicest vocabulary, and a big fucking style. I owe you one, co-author!

From the Outside, with love:



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Prologue

His elbow pressed a hefty stack of his side, draped in the gold-embroidered flank of a parade dress uniform. Barely restraining his hasty pace, he walked through the night darkness that already rubbed its impenetrable hide against the window panes from without. But there it was—the goal of his eager, excited gait—the door across the corridor.

An abrupt stop before it. His hand squeezed into a three-fingered pinch, jerking toward his tense forehead, but a twitch of his inky-black curls curbed the reflex. Instead, he stuck his middle finger out at the door, then slowly bent it and tapped the slightly jutting knuckle against the wood of the door wing. A sharp exhale, then a slow push letting him take a step inside the servants' quarters.

Mitrich, the senior valet, raised his unkempt head from its repose face-down on the forearms stacked in front of him upon a tabletop doodled with a multitude of haphazard scratches. He slowly crossed his muzzle, which swung open in a protracted yawn. The tiny flame above the tip of the wax candle—guttered down in its one-branch candelabra—flared up to give a ghostly welcome, yet changed its mind and sank back into a coma of extinction in listless weariness.

“Aha! Alexashka! Where'd you go? It's been a while since you've shown up.“

“Well, Ferapont Dmitrievich, if you please (grabbing in agitation the burden wedged up his armpit out into his both hands), I’ve been finishing this here trifle.“

“Aha! Alexashka! Where'd you go? It's been a while since you've shown up.“

“Well, Ferapont Dmitrievich, if you please,” he said, grabbing the burden wedged up his armpit out into both hands in agitation, “I’ve been finishing this here trifle.“

“Well, well, well… Dump it somewhere on the desk, out of the way… I won't make any promises. You know how it is—with us, everything proceeds in a strictly collegial way… Until the servants show up and pitch in their judgments, I won't hold out any long- or short-list hopes for you. But mind you take a few steps of your own. Call Akulina the cook to your chambers closer to nightfall to perk your bedding up,” he said, scratching his crotch, “you know.”

“She's old enough to be my nurse, Arina Rodionovna!”

“Even better! ‘Let's drink to our sorrows, nurse! Where's the mug?’ and so forth… the rest will just follow naturally. Do I really need to teach you the basics here? Also, don’t skimp on tips for Vasyok the groom. Spare him some three or five kopecks for vodka, maybe a nickel. Above all, never forget to bow low to Nikandr the janitor. He absolutely loves that…”

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Explanatory Note

But the book’s title is a total thumbs-up, right? Subtitled and all that big style. Some subtle sophistication is emanating from it, a certain unique flair. It stands out a mile away, like sanction-busting import substitutes from a sex shop.

The hint of bananas, too, triggers the average reader’s imagination just right. Besides, streamlined things always push the subconscious in the right direction.

Yep, dear reader, you sure know how to uphold sound reasons. So be it! The title is left as is…

What's the book about? The question is astoundingly kiddish (sic!) It radiates a touching, pristine naivety—there are truly few left like you.

No wonder Rosstat is already preparing nature reserves for your kind, just to preserve so rare a breed, much like they do for precious fur-bearing animals. However, that’s their problem and yours; meanwhile, I’ve actually come up with an answer to the question posed:

Like any other book, this one, of course, is all about one’s beloved self. That's why the core components of the recipe include:

a) An excursion: A field trip to observe that specific layer of society adorned with a stamp on their foreheads reading, 'Successor to the Great Russian Literary Tradition'—a backdrop that allows the author to stand out far more advantageously against the fools;


b) Thoughts: On the basic question of existence: do I need it (and if so, in which way and to what extent)? Witnessing the self-liquidation of the human race?

This has nothing to do with the Special Military Operation—for the planet's billions, there are no irreplaceable millions. Go ahead and wipe yourselves out; they'll even thank you. Under the table, of course, bypassing sanctions.

No! This is about the sickle already flashing over the balls of the only argument FOR human existence—that any person might possess some creative capacity. Without it, everything just eats everything else, and that's it. Boring, when you watch it from a distance.

But what if we are already past our expiration date? A terrifying question mark in the steel curve of the sickle, raised over the hammer of creativity.


c) Health metrics: Monitoring changes in my mental balance. On the scale: “alert attention” — “disappointment” — “not giving an eff anymore.”

For those who are stuck in communication patterns propagated by the official TV mumbo-jumbo, and have difficulties with non-gobbledigookvized talk: here is your one last chance to get what this whole mess is about. I am appending a Review and Comeuppance for the purpose—right below this here recipe.

Gogoleva, Veronika:

Review of Avdey Scumblower's book S*hole.

“The novel is heavy indeed, and at times mercilessly cruel in its unvarnished historical truth. (1)

…The work consists of numerous short chapters (averaging 5—6 pages), which facilitates readability and allows the author to confidently pivot from one chronotope to another. At first, this structure may confuse and frustrate the reader, but over time it becomes an integral component not only of the book's rhythmic-temporal pacing, but of its very ideological core. (2)

…Avdey Scumblower has written at least one worthy book.' (3)”

Comeuppance

(1)

“Historical truth” is about as much of a fool’s game as planting boundary markers between “normal” and “unnatural” sex;


(2)

“Chronotopic tempo-rhythmics” blended with chrome-plated rummy crumbs makes a great, low-cost remedy for a severe brain melt;


(3)

The Institute of Macromolecular Micro-Rubbers has created a special compound to coat absolutely anything. The tarp is marketed as a “Worthy book” brand.

-.-

Yes, I admit, my response to Ms. Gogoleva wasn't exactly gentlemanly. However, it wasn't aimed at her personally, but at the idiots who ruined a beautiful woman with an idiotic education, forcing her to write reviews of hopeless garbage and pursue a career she won't have any use for in a hundred years.

She’ll eventually figure this out for herself, of course—but it’ll be too late, at the ripe age of 102.

Pushkin’s fondest dream was to encounter at least a couple of women in all of Russia who possessed a truly irresistible pair of legs. Instead, the current education system ruins them—and their lower extremities—the way a sudden Epiphany frost blights lilies of the valley in mid-May.

And yet, she managed to give me one last warning—oh, even a review can't hide a beautiful woman's kind soul.

“Stay sharp,” she said, “watch out! This book is heavier than a steamroller—at times, it may turn as cruel as a teenage gang!”

Ah, Veronika! I would lay everything at your feet—yes, Mr. Pushkin, hers are actually worth it!—knee pads, elbow pads, not to mention my cuirass, if only I didn't already have the beautiful Dulcinea!

You can't fool her. “At it again, you old fart?” she'll snap, and I’ll be forced to blush inside my helmet, with the visor down in this brutal summer heat. But still, thanks for the warning!

4

Introduction

The habits of the critters in the protected reserve that has nailed a “Russian Literature” sign above its main gate are getting stranger by the day. This stirs alarm in those concerned.

And what about their bizarre posture at the sound of the word “banana”? Exactly! They freeze like a police dog statue, on just three legs with a front paw pulled up to the chest.

Like anyone with proper social views, I got dizzy over that damn banana. A plain banana, taped to a wall at both ends—for six million dollars! At a New York exhibition. A banana and two pieces of tape, that’s it… And you, a useful citizen, just keep working your ass off like a regular Papa Carlo with no connections to the LA mafia.

How could any of us not freak out—anyone for whom “art” isn't an empty phrase, and for whom the word “dollar” is also sacred?

How do you hold back your grunting under the weight of eschatological gloom? That's it, guys, we've arrived! Termination station: the End of the World. Now there’s nothing left to do but give up bananas. A lump gets caught in your throat at the mere thought of how many millions are sitting in there. Potentially.

In short—shock, goosebumps, nervous tics: every symptom present and accounted for. True, I didn't freeze like those pedigree hunting dog statues, but I was twitchy as hell for three whole days… Then it finally subsided, thanks to the next big sensation whose turn it was to blow up the online communities.

But that banana still strikes from around the corner in my brain from time to time—a sudden, occasional relapse—because art and literature are dear to me. This is the reason for the shift, both globally and within myself, toward questions of worldwide literary significance.

At first glance, the literary scene in Russia is vibrant and teeming: competitions, book fairs, panels, sales… There is movement!

It resembles the crowd that shuffled through the Mausoleum, year after year, decade after decade. The infinite loop engineered ages before software coding was even dreamed of... Past the coffin of glass with a mummy in a business suit.

Streams of drawn faces past the painted mask… For all we know, they’re still shuffling around right now…

Naturally, the veterans who spent their lives surviving inside false-bottom boxes—having mastered the ropes of “state-commissioned literature”—have no trouble managing the gear. But what’s it like for young talents caught in a trap of unfamiliar rakes?